domingo, 11 de novembro de 2012

Facebook Timeline Shows Who Unfriended You On Facebook


A useful but probably unintended side effect of the new Timeline profile, is that it allows you to very easily see who unfriended you on Facebook over the past few years. All credit to Matt Stopera for the screenshots below. And we’ll mention this video again with instructions on how to enable Timeline for your profile.
UPDATE: Facebook addressed this issue and removed all ‘lost’ friends from the yearly new friends lists. Consider the instructions below obsolete.
1) Select a year in the sidebar (TIP: Start with the year you joined Facebook and work your way to 2011)
Who unfriended you on Facebook
2) Look for the Friends box that shows how many new friends you made
Who unfriended you on Facebook
3) Click on the number of new friends
Who unfriended you on Facebook
4) Those with an “Add Friend” button next to them are the people who unfriended you (or where unfriended by you)
Who unfriended you on Facebook
5) Feel bad all day wondering why X unfriended you back in 2007.

Read more: http://reface.me/hacks/who-unfriended-you-facebook-timeline/#ixzz2BzK8ehAD

domingo, 20 de maio de 2012

THE 5 ALL-TIME BEST FACEBOOK CAMPAIGNS

In honor of Facebook’s IPO, we present a special Top 5--a hall of fame of Facebook campaigns (none of which are actual Facebook ads, mind you).



In a dramatic bit of timing, GM announced it was pulling its $10 million in Facebook advertising mere days before the latter company’s IPO.
The high-profile move drew a line under the already pronounced question mark around Facebook’s real value as a paid advertising platform. While some, including Ford, rushed to make the point that proclaiming Facebook ineffective is simply admitting that you’re doing it wrong, the fact is, there has been little to support the notion that paid advertising on Facebook is tied to real, bottom-line results.
What we do know though, is that Facebook has been a transformative creative force in advertising. And the creative story of Facebook hasn’t been told by paid ads. The best campaigns have represented brand spending--but in talent and in development and production, not in Facebook as a media buy. But these projects have been valuable all the same--to the industry and to Facebook--in helping to reorient communications thinking around the consumer.
The most notable, and important, marketing efforts on Facebook have been those that have made the marketing industry understand the nature of social media, how to maximize its strengths, and the essential shift from broadcasting canned brand messages to inviting people to participate in a conversation.
Here (in no particular order), the all-time top five Facebook marketing campaigns.
A&E Parking Wars
Way back in 2007, the game wizards at Area|Code (now a part of Zynga) were given the brief to promote A&E’s show about parking. So the company created a Facebook game about parking. And it killed. Area|Code had already made a name with its Sharkrunners game for the Discovery Channel’s Shark Week. That game allowed players to control virtual research boats and crews and collect real-time data on real sharks that were tagged with GPS units and going about their business off the coast of California. Parking Wars players controlled a street and a handful of parking spaces and advanced in the game by parking on friends’ streets and issuing tickets to their “unlawfully” parked cars. Both games were compelling examples of continuous engagement--games that kept players coming back throughout the day. And a remarkable number did-- 400,000 players signed on to Parking Wars in two months, with total users growing to over 1.5 million. But Parking Wars was one of the earlier examples of a truly social game that actually involved players’ Facebook friends. 
Intel Museum of Me
In 2011, Intel allowed Facebook users to create a shrine to themselves and then (virtually) walk through it. Intel and Japanese agency Projector, Inc., created Museum of Me, a “visual archive of your social life,” to (subtly) promote the i5 processor. After users connected through Facebook, the app pulled images, words, location, and other info into a three-minute video walk-through of your own museum, complete with white walls, other patrons, and music. The effect is unnerving and oddly powerful as it makes literal the exhibit you’ve already made of your life.
Take This Lollipop
One of the most interesting Facebook campaigns (and the recipient of several big ad awards recently) is a cautionary tale about Facebook itself. If people thought Intel’s Museum was a touch creepy, they were in for a deliciously upsetting treat with "Take This Lollipop," created by production company Tool and director Jason Zada as a Halloween project (so, not strictly an ad… or is it..?).
The app “dares” users to connect with Facebook and when they do, they’re delivered into the world of a scary-looking loner played with sweaty, rage-filled aplomb by Bill Oberst Jr., who strokes his mouse and generally looks insane while poring over the personal details of your life and then, seemingly, sets off after you. If Intel’s Museum of Me was an artful reinterpretation of your social life, "Lollipop" was the nightmare scenario of your nagging privacy concerns. 
Burger King Whopper Sacrifice
Another Facebook classic that directly addressed the nature of Facebook and its meaning in our lives. The 2009 app, created by agency CP+B, allowed users to unceremoniously relieve themselves of “friends” in exchange for a coupon for a Whopper. As one of the creators, Joel Kaplan said of the campaign: “It was when everyone you knew was finally on it and you were becoming friends with all these people and we were talking about the frustrations of that--what does it even mean that I’m friends with someone online?” Which led to the campaign’s merciless core calculus: burger beats buddy. Facebook shut the app down not long after it got rolling but not before 200,000 friends were disappeared.
Ikea Facebook Showroom
In 2009, to promote the opening of a new Ikea store in Malmo, Swedish agency Forsman & Bodenfors created a simple campaign based on one of Facebook’s most crucial, and feared, features--photo tagging. The agency conjured a profile for the manager of the new store, Gordon Gustavsson, and, over a few weeks, proceeded to post 12 images of catalog-worthy showrooms. Facebook fans were able to tag furniture items with their names to win them, and in so doing, they created huge ripples across their social networks. Though critics complained that the effort felt too temporary--a one-off--it was an awards juggernaut and, more important, it was a low-cost, low-tech demonstration of the real power of social networks as a mechanism for participatory, consumer-driven advertising.

How Nasdaq Screwed Up the Facebook IPO




hat a disaster.
After a lot of “we are ready for the onslaught” preening, the Nasdaq stock exchange fell apart from the minute Facebook (FB) was released for trading.
In anticipation of heavy volume, the exchange had planned to open the stock at 11 a.m., 90 minutes after the opening bell. Trading didn’t begin until 11:30, though, with the shares opening at $42, 10.5 percent above the pricing of the initial public offering. Respectable. More than 82 million shares traded hands at the open. But one-half hour into trading, the stock slid back to $38. Word is, underwriters Morgan Stanley (MS), Goldman Sachs (GS), and J.P. Morgan (JPM) stepped in to support the price of the struggling stock.
And then the complaints began rolling in for the $16 billion deal, the largest high tech deal ever and second largest IPO.
“I put in a market sell order at $42/share. It took 20 minutes to execute,” says Jason Napodano, a biotech stock analyst. Usually a market order takes about two seconds. He still doesn’t know what price he sold at. Maybe $39. Maybe higher. His E*Trade (ETFC) broker will let him know. Napodano says he had requested 1,000 shares in the IPO, but got only 100. Initially, he was disappointed about that. After Friday’s mess, less so. He’s celebrating his big $75 profit by taking the family out for pizza. Or maybe Sizzler, if he gets a better price.
Another big trader complained that after a couple of hours, Fidelity still had his order for shares listed as “pending.” E*trade and Fidelity hadn’t responded yet to requests for comment.
“Do I own $FB or not?” asked Ewell Smith of Powell, Ohio on StockTwits, a Twitter platform for investors. He, too, had placed a market order to buy the stock. It took more than an hour for his order to be filled by Scottrade. In the end, Smith bought 35 shares, hoping to build his position up to 100 or 200. With hot stocks, market orders can be dangerous. And most pros advise investors put limits on how much they are willing to pay or sell at to protect themselves.
Smith got nervous when his order wasn’t executed right away: “My fear was that the price would go up and the execution would happen at that higher price and then later in the day I could be sitting on stock that executed at say… $60 and but then had fallen back to 38.” In the end, his buy order got filled at $40.31, the price at about the time he submitted it. “I had never seen that happen before except in some penny stock trading and this was a highly publicized and supposedly legit Nasdaq stock.”
In a statement, Scottrade said that it had opened more than four times the normal amount of new accounts, plus trading volumes were 70.6 percent higher than typical monthly volumes. “Facebook orders entered prior to its opening were executed and have been reported back to our clients. We have not yet received all reports from Nasdaq for limit orders. The pending order statuses some clients are seeing that were impacted by the Nasdaq delays are currently being resolved.”
Even once those issues are resolved, Nasdaq will have plenty of questions to answer. As Bloomberg TV anchor Matt Miller noted during a rant from the floor of the New York Stock Exchange, Barclay’s had handled 600 million shares at the close effortlessly – about the volume of Facebook all day. Bet the NYSE is lapping up that video. Hooray for open outcry!
Nasdaq hasn’t responded yet to a request for comment. I guess you could say it’s pending.
In the end, it was a day in which almost no one was happy. You can only imagine what the investors who bought Facebook shares for $40 or $45 in the pre-IPO private markets are feeling.
And then there are the Morgan Stanley brokers. According to The Wall Street Journal, Morgan Stanley as lead underwriter took down the biggest percentage of the 421 million shares sold – 38 percent. One Morgan Stanley producer griped that he spent all week negotiating Facebook allotments with clients. In the end he got 6,000 shares to distribute, grumpy customers, and a whopping $480 commission. The Facebook underwriting was a bragging rights deal; the fees were skinny.
At the end of the day, Facebook set a record for first day trading for an IPO: 567 million shares, the most active on the Nasdaq. And the closing was just pennies above the $38 initial pricing. The only people still smiling are probably Mark Zuckerberg and his early investors.

Mark Zuckerberg Got Married Saturday

His timeline announced a new “life event” the day after Facebook went public: he's now married to Priscilla Chan, his longtime girlfriend. Congrats and “likes” to the happy couple!


quinta-feira, 17 de maio de 2012

How To Prevent Yourself From Turning Up On Facebook Recommendation Ads


If you don’t already know, Facebook has been using your personal preferences on its ads network, which includes your name, likes and other activities. To some, this may be a major privacy issuesince Facebook is using its users’ personal data without prior consent to falsely attract or mislead others for marketing or advertising purposes.
yourname How to Prevent Yourself From Turning Up on Facebook Recommendation Ads
It is quite impossible to expect Facebook to change their advertising strategy especially when a majority Facebook users did not express discomfort with the issue. But if this bugs you, there is a solution that will remove Facebook’s misuse of your personal data.
This can be achieved by changing the account setting on your Facebook account. With only one simple action, your personal data will be free from exposure.

1. Account Setting

Login to your Facebook account and click on the ‘Account Settings’ button at the top right corner of your Facebook page.
Accountsetting How to Prevent Yourself From Turning Up on Facebook Recommendation Ads

2. Facebook Ads

Click on the ‘Facebook Ads’ button on the left menu.
FacebookAds How to Prevent Yourself From Turning Up on Facebook Recommendation Ads

3. Ads And Friends

Clicking on the ‘Facebook Ads’ menu will bring you to the ads setting page. You are given two options:
  1. Ads by third parties – Mainly for future planning
  2. Ads and Friends – Current setting
Since we are looking at the current privacy setting, lets go to the second option that says ‘Ads and friends’, and click on ‘Edit social ads setting’.
adsandfriends How to Prevent Yourself From Turning Up on Facebook Recommendation Ads

4. Pair For No One

Scroll down to the bottom of the page and change the setting ‘Pair my social actions with ads for’ from ‘Only my friends’ to ‘No one’, and then click on the save button.
NoOne How to Prevent Yourself From Turning Up on Facebook Recommendation Ads

Conclusion

It takes only one simple step to be free from this Facebook recommended ads issue. Your name or pictures will no longer appear on any recommendation ads within Facebook, and you won’t be made to mislead your friends on your preferences on the social networking site.

Top 10 Fonts Web Designers Love


When I was starting out with Web and graphic design, I was always wondering about the fonts that real designers use. So I conducted a research to find out the most popular fonts designers like to use, their best practices, and also out of personal curiosity, their typographical needs. It would be nice to know which font is good for which situation and today I am sharing with you the results of my research.
Through a combination of data collected from Polldaddy, Forrst, Facebook and Twitter, I got feedback from 34 designers from 14 countries answering questions about their favorite fonts and explaining to me why they love them. By analysing all the input submitted I have uncovered some interesting information, which has been put together in an infographic by friends in Piktochart.
Below that, check out the Top 10 list of free and premium fonts, and some of the interesting reasons why designers have their favorite fonts.
Click on image to see in full scale.
top 10 fonts ig preview Top 10 Fonts Web Designers Love

Top 10 Favorite Free Fonts

Here is the list of Top 10 free fonts mentioned by Web and graphic designers in the survey. Fonts that come bundled with operating systems, fonts like Arial, Verdana, Times New Roman, Georgia, and Tahoma have been excluded.
  1. Myriad Pro
  2. League Gothic
  3. Cabin
  4. Corbel
  5. Museo Slab
  6. Bebas Neue
  7. Ubuntu
  8. Lobster
  9. Franchise
  10. PT Serif

Top 10 Premium Fonts

This is the list of most popular premium (paid) fonts among designers. Some of them are very expensive but the quality of the font speaks for itself.
  1. Helvetica
  2. Gotham
  3. DIN
  4. Futura
  5. Neo Sans
  6. Adobe Caslon
  7. Skolar
  8. Kautiva
  9. Caecilia
  10. Fedra Sans

What Designers Are Saying

Jonny Pigg, United Kingdom

Twitter: @jonnydapigg
Impact – lovely striking bold headline font, easy to read.
Avant garde – bit common but popular with clients, smooth, no fuss lettering. Great for headings, sub-headings and body text (if there’s not too much).
Jr! hand – this turns up in a lot of my t-shirt designs.
Courier – great for sale-type banners, readable and available everywhere (handy for the Web).
jonny pigg Top 10 Fonts Web Designers Love

R Bitten, Brazil

Twitter: @bittenworks
Frutiger – It’s temporal, balanced and natural.
Futura – elegance, simplicity, looks good almost everywhere.
Didot – elegance and personality.
Lobster/Marketscript – my favorite retro manuscript font.
Museo Slab – a recent discovery.
League Gothic – a better impact.
Courier – another elegant font.
Rockwell – good for headlines.
Gills Sans and Helvetica are always good options too.
bittenworks Top 10 Fonts Web Designers Love

Edgaras Benediktavicius, Denmark

Twitter: @edgarascom
Century Gothic – solid circular letters.
Trebuchet MS – high readability, web safe, nice.
DejaVu Serif – my favorite serif font.
Rockwell – my favorite slab font.
Convington – very nice modernized retro font.
Comic Sans – makes me laugh.
edgaras benediktavicius Top 10 Fonts Web Designers Love

Keiron Lowe, United Kingdom

Twitter: @Keiron_Lowe
Lobster has been so overused it’s become the new comic sans! The most popular font used by designers is definitely Helvetica Neue.
keiron lowe Top 10 Fonts Web Designers Love

Cameron Olivier, South Africa

Twitter: @cameronolivier
If it is free-for-web fonts, FontSquirrel is for the win but as such, my ‘favourite’ fonts are from a very limited stock.
Trebuchet Ms. mostly because it’s on the standard web compatible list, underused, has some great lines and a very tasty italic version.
Quicksand – love the light version – although the font in general is well produced and has some great lines.
Makes – for good heading text, albeit softer, with its subtle curves.
Museo Slab – a great slab-serif. All the Museo’s are great in their own right really, particularly the Slab.
Marketing Script – what a great little font – has a great hand-written feel without being ‘kiddie’. Really like using it as a constrained "easy" font.
Aller – another great font. The different weightings are handy, but the display variant lets loose a little and makes for some great headlines.
ChunkFive – a great, solid heavy font. Really like the heaviness and impact it makes in the page.
cameron olivier Top 10 Fonts Web Designers Love

Stacey Lane, United States

Twitter: @stacigh
DINGothamCaeciliaFF MetaHelvetica Neue.
With the exception of Caecilia, all of these are sans-serif fonts with loads of varying weights. Caecilia is also on this list because it is very geometric and I love the Slab. Also, all of these fonts have a relatively large x-height, which is my preference.
stacey lane Top 10 Fonts Web Designers Love

Sergiu Naslau, Romania

Twitter: @serjeniu
Franklin Gothic – this font screams for attention. It’s big, bold, and it plays well with other sans-serif fonts.
Helvetica – when it comes to readability, it’s Helvetica or Tahoma. It has its own personality (Inserat or Neue). When it comes to designing a logo, when it comes to the typography, I always play with Helvetica first.
Tahoma – this font is a team player. When it comes to integrating content into the layout and putting everything together, Tahoma looks like it was made to be there.
Brush Script Std – the handwriting look blows me away, in general. In online projects, they tell a story and it appeals to the ego too.
Georgia – this font works great when it comes to capitalizing everything. When you play with the kerning, the letters always look good. It fills the space between the letters, not add to it (too much space lettering in Helvetica may destroy the visual impact).
sergiu naslau Top 10 Fonts Web Designers Love

Conclusion

So there you have it a brief but telling research about the relationship between designers and their fonts. A big thank you to all the designers who helped me out by taking the survey, answering questions as well as sharing their favorite fonts with the design community at large. What about your favourite fonts? Have your say.